
by Zia Forogh
“The Red tulips of Mazar,” reflects an ancient communal ritual — a celebration of beauty, life, and the deep bond between humanity and nature. Not long ago, the Red tulips Festival in Mazar-i-Sharif stood as a symbol of hope, togetherness, and renewal. People from all regions gathered to celebrate vitality and joy through fragrance, color, and song. But with the arrival of darkness and the rule of the Taliban, this festival was silenced. The Red tulips of Mazar, once symbols of love and life, now evoke suffering, oppression, and loss. This red field, embedded within layers of blue and green, mirrors precisely that contrast: the burning spirit of joy struggling against the cold weight of silence and suppression. “The Red tulips of Mazar” is not merely a painting, but a narration of a collective memory that was taken from us, yet continues to live in the hearts of the people. Every red brushstroke is the voice of those whose smiles and freedom were silenced; every shade of blue and green is an echo of hope enduring through history. This work is an invitation to remember, to resist forgetting, and to believe that one day the festival of roses and life will return once again.