
by Zia Forogh
“Hazara Skull Minarets” was created using tar — a material whose darkness and heaviness reflect the burden of violence and historical terror. The work recalls one of the darkest chapters in history: the massacre during the rule of Abdur Rahman, when towers of terror were constructed from the severed heads of thousands of Hazaras. The blurred, uniform faces on the canvas embody people whose individuality was erased, leaving them reduced to mere elements in a spectacle of violence. The tar-like drips and textures evoke dried blood and tears left unwept. “Hazara Skull Minarets” is not only a memorial to a historical crime, but also a visual outcry against forgetting — so that present and future generations may understand how this darkness descended upon a people, and why it must never be allowed to return.